
| Storytelling and post-modernism: Jean-François Lyotard |
|
In 1979, Jean-François Lyotard was asked by Quebec's Conseil des Universités to review the state of scientific knowledge and information in the late 20th century. He looked at how knowledge comes into being, who controls it, who has access to it, and how it becomes accepted as valid. He concluded that science's claim to possess a higher kind of knowledge was seriously flawed. For Lyotard, scientists have no more direct access to the truth than philosophers or historians, or anybody else for that matter. For him, scientists are storytellers. Thus it is not possible to describe the result of an experiment except by telling a story. The narratives that scientists produce, such as research papers, hypotheses, histories, are always governed by the protocols of the field in which they work. Each discipline is like a game. It has a special terminology which only makes sense within its own boundaries. In practice, a theorist or researcher is not faced with infinite possibilities to explore, and can only play within the limits of a system of permissible moves. The scope of permissible moves is determined by the power structure of the particular branch of science in which the scientist is working, which is just as political and unscientific as any other human activity. Thus, according to Lyotard, narrative is not a sub-branch of science. The truth is exactly the opposite: science actually comprises particular branch of narrative. In effect, science is a sub-set of storytelling. Science is made up of language games which generate particular forms of narrative. Lyotard's view goes against the common sense view of science as a superior form of knowledge. It also contradicts modern science's view of itself. For science to maintain its privileged status, it has usually tried to deny its own involvement in storytelling, denigrating storytelling as the epitome of the unscientific, the very thing that science must fight against, and expel from civilized discourse and education systems. Science thus pretends to be beyond narrative. How does science do this? Ironically, it appeals to a story, or what Lyotard calls grand meta-narratives. A meta-narrative is an over-arching story, which can supposedly account for, explain, or comment on, the validity of all other stories. It is implicitly a universal or absolute set of truths, which transcends social, institutional or human limitations. Thus, a small local narrative, such as the result of a scientific experiment, or an individual action, is usually granted significance only by its ability to reflect or support some broader narrative which people generally support, like the pursuit of truth, justice, or economic growth. Lyotard argues that some time around the 18th century, science developed the view of itself as the source of enlightenment. Prior to this, appeals to religious narratives had often been used to guarantee truth. Now, building on its practical successes and on the theoretical work of Francis Bacon and others, science took over and put forward the claim that it alone was the source of truth. It suggested that being scientific or rational was the sign of credibility. Possessing scientific knowledge implied that you could get behind mystification and superstition, reveal the facts about world and lead all of humanity to a brighter day. The underlying assumptions were:
Thereafter, science justified itself through the neat trick of claiming that science needed no further justification. Thus, it took advantage of the idea that its activities were pursued in the name of the timeless meta-narratives of progress, emancipation and knowledge. By appealing in this way to ideas whose meanings were quietly assumed to be self-evident and universally agreed, science was able to masquerade as a single project, objectively carried out for the good of the entire human race. More recently, particularly in the last few decades, scientists have had growing difficulty in getting away with these claims, and cracks in the facade of science's grand meta-narrative have been appearing:
|
| References: |
|
The
Leader's Guide to Storytelling: Mastering the Art & Discipline
of Business Narrative
Squirrel
Inc: A Fable of Leadership Through Storytelling,
Storytelling
in Organizations The
Springboard: How Storytelling Ignites Action in Knowledge-Era
Organizations Steve Denning consults and gives workshops and keynote presentations on topics that include: leadership, innovation, organizational storytelling, business storytelling, springboard storytelling, knowledge management, branding, marketing, values, communication, communities of practice, business performance, collective intelligence, tacit knowledge, business collaboration, knowledge, learning, community, performance improvement, visionary leadership, social potential, institutional community building, and internal communications. You can contact Steve at steve@stevedenning.com Copyright © 2000-2004 Stephen Denning Webmaster CR WEB CONSULTING
|